Maple Leaf Gardens, Toronto, December 27, 1977
Captured during the first of two hometown holiday shows, this photograph depicts Rush's power trio amidst the elaborate A Farewell to Kings stage setup. Hand-signed by John Rowlands, strictly limited edition.
The Full Story
The Moment
This photograph depicts Geddy Lee, Alex Lifeson, and Neil Peart amidst the elaborate A Farewell to Kings stage setup. Rowlands often emphasized the challenge of capturing the power-trio's complex energy and dense instrumentation in a single frame, making this image a testament to his technical skill.
The Heritage
This era marked Rush's introduction of synthesizers and double-neck guitars into live performance. Rowlands' image preserves the chemistry of the trio while highlighting the ambitious stage design and technical sophistication of their Toronto shows.
Editions & Dimensions
SMALL (16") — Edition 150
Paper Size: 22.26" × 16.4"
Image Area: 19.6" × 13.07"
Margins: 1.33" (sides/top), 2" (bottom)
Shipping: 23"L × 5"W × 5"H, 2.0 lbs
MEDIUM (24") — Edition 100
Paper Size: 33.39" × 24.6"
Image Area: 29.39" × 19.6"
Margins: 2" (sides/top), 3" (bottom)
Shipping: 34"L × 5"W × 5"H, 3.0 lbs
LARGE (33") — Edition 50
Paper Size: 45.87" × 33.79"
Image Area: 40.37" × 26.91"
Margins: 2.75" (sides/top), 4.13" (bottom)
Shipping: 47"L × 6"W × 6"H, 4.0 lbs
Provenance & Release
Newly revealed from the John Rowlands archive. Hand-signed by John Rowlands, strictly limited and hand-numbered. Museum-grade scanning and archival pigment printing on heavyweight, acid-free fine art paper.
Maple Leaf Gardens, Toronto, December 27, 1977
Captured during the first of two hometown holiday shows, this photograph depicts Rush's power trio amidst the elaborate A Farewell to Kings stage setup. Hand-signed by John Rowlands, strictly limited edition.
The Full Story
The Moment
This photograph depicts Geddy Lee, Alex Lifeson, and Neil Peart amidst the elaborate A Farewell to Kings stage setup. Rowlands often emphasized the challenge of capturing the power-trio's complex energy and dense instrumentation in a single frame, making this image a testament to his technical skill.
The Heritage
This era marked Rush's introduction of synthesizers and double-neck guitars into live performance. Rowlands' image preserves the chemistry of the trio while highlighting the ambitious stage design and technical sophistication of their Toronto shows.
Editions & Dimensions
SMALL (16") — Edition 150
Paper Size: 22.26" × 16.4"
Image Area: 19.6" × 13.07"
Margins: 1.33" (sides/top), 2" (bottom)
Shipping: 23"L × 5"W × 5"H, 2.0 lbs
MEDIUM (24") — Edition 100
Paper Size: 33.39" × 24.6"
Image Area: 29.39" × 19.6"
Margins: 2" (sides/top), 3" (bottom)
Shipping: 34"L × 5"W × 5"H, 3.0 lbs
LARGE (33") — Edition 50
Paper Size: 45.87" × 33.79"
Image Area: 40.37" × 26.91"
Margins: 2.75" (sides/top), 4.13" (bottom)
Shipping: 47"L × 6"W × 6"H, 4.0 lbs
Provenance & Release
Newly revealed from the John Rowlands archive. Hand-signed by John Rowlands, strictly limited and hand-numbered. Museum-grade scanning and archival pigment printing on heavyweight, acid-free fine art paper.
Image 1 of 1